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SLUTWALK LATRINALIA

Graffiti material found on restroom walls have been a topic of interest since the eighteenth century when the book The Merry Thought: Or, The Glass Window and Bog-House Miscellany was published. The collection of poetry, which had authorship attributed to Hurlo Thrumbo (pseudonym), became known simply as The Bog House Miscellany. The infamous book included written pieces found on walls, windows, and carved wood in the eighteen-century British’s public restrooms. The collection was fiercely criticized as bad taste work at the time of its publication in 1731 (Novak, 1983).

 

To examine graffiti that was found in restroom walls, the folklorist Alan Dundes proposed the term “latrinalia” in his study Here I Sit – A Study of American Latrinalia, published in 1965. The term was specifically created to describe traditional inscriptions found in bathroom walls. According to Dundes (1965) “The term graffiti is too broad in that it includes all kinds of inscriptions and marks placed on walls” (p. 91). The term “latrinalia” was “the closest thing to a folk term, ‘shithouse poetry’ inasmuch as not all latrinalia is in verse or poetic form” (Dundes, 1965, p. 92).

 

Public restrooms graffiti, or simply “latrinalia” have been investigated from a variety of different perspectives. Green (2003) compared gender differences in communication through the analysis of graffiti in public restrooms as a “window into the relationship between gender, language, and social context” (p. 282). The study focused on the investigation of topics of graffiti and the linguistic style used to create the inscriptions. Findings of the study showed the differences between graffiti found in each gender’s restroom were more obvious in topics and more subtle in language style (Green, 2003). Inscriptions in men’s restroom included politics, homosexuality, and racist remarks, while the female’s restroom presented graffiti about sex, relationship, philosophy and religion (Green, 2003).

 

Anderson and Verplanck (1983) conducted a study at the University of Tennessee at Knoxville, in which graffiti found in restrooms across 9 buildings located on campus were evaluated. The results of content analysis showed that the graffiti found in the restrooms varied among buildings and their populations and clearly exposed significant contemporary social issues (Anderson & Verplanck, 1983).

The photography produced on December 29th, 2016 at a bar in the City of Pensacola, Florida was an incidental record of a public restroom that exhibited the statement “My Pussy, My Choice No means No” as a graffiti on the wall. The statement is a response to the culture of rape and the perception that women who are victims of rape invited sexual assault by the way they dress or act. The movement that recently emerged as an immediate response to the culture of rape, became known as the SlutWalk movement (Halligan, 2015).  

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Photo taken with iPhone in 2018 in a random women's restroom at a university located in the Central Florida area. Latrinalia shows once again, messages that reflect gender issues, such as women's choice ("The choice is yours and yours alone") and rights of transgender individuals ("Trans lives are beautiful").

References

Anderson, S. & Verplanck, W. S. (1983). When walls speak, what do they say? In The Psychological Record 33(3) pp. 341-359. 

Dundes, A. (1965). Here I Sit – A Study of American Latrinalia. Kroeber Anthropological Society Papers 34 pp. 91-105. Retrieved from http://digitalassets.lib.berkeley.edu/anthpubs/ucb/text/kas034-010.pdf

Green, J. A. (2003). The writing on the stall: Gender and graffiti. In Journal of Language and Social Psychology 22(3) pp. 282-296 DOI: 10.1177/0261927X03255380

Halligan, B. (2015). My uterus doesn’t expel rape sperm: Slutwalk and the activist legacy of the suffragettes. In Rostvik, C. M. & Sutherland, E. L. (Eds.), Suffragette legacy: How does the history of feminism inspire current thinking in Manchester (pp. 45-72). Newcastle upon Tyne, UK: Cambridge Scholars Publishing.

Novack, M. E. (1983). Introduction. In The merry-thought: Or the glass-window and bog-house miscellany[EBook]. L.A.: California. Available from http://www.gutenberg.org/files/20535/20535-h/20535-h.htm

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